Beethoven Hero is a continuing exploration of the man, his music, and his extraordinary reach across time and space. The trilogy takes us on a journey through history and around the world, telling stories of the enduring power of Beethoven’s creations—of the ways they live within us and transcend the boundaries that separate us.
The legacy of Beethoven—in our personal lives and in the public conflicts, tragedies and occasional triumphs that define our times—is complex, and Beethoven | Hero explores this complexity. The first part of the trilogy,Following the Ninth (2013), followed the music to China, Chile, Germany and Japan. The second part, Love & Justice, takes us to Chile once more, using Beethoven’s Fidelio to explore the darkness of political repression and the way Chileans tried to sustain hope in the shadow of Pinochet. The third part, Last Will and Testament, will follow in the footsteps of Beethoven’s powerful Late Quartets.
While I do believe that Beethoven’s music somehow captures universal virtues—the courageous and passionate will to overcome all defeats, spiritual and physical—I am also open to the fact that I am living within the mythos of Beethoven the Hero. His image, both biographical and musical, continues to pull us toward the man and his creations. We puzzle over the man, and we embrace the music in an attempt, always incomplete, to understand who we are as humans, in pain, in love, in joy, in accents both spiritual and sensual at equal turns.
At a time when art and music are disappearing from school curricula, we are designing the Beethoven | Hero trilogy to be used in schools across the country to improve students’ understanding of the arts and of the historical contexts in which they are created and experienced. Beethoven | Hero tells the story of how art—emerging from the collision of history and flawed, brilliant humanity—outlives its creator to challenge, inspire and occasionally transform us.